I’ve been thinking a lot about trap feminism and what it means since I first wrote about it in January. In this introductory piece — which was mostly a purge of initial ideas that I had been bouncing back and forth with friends — I identified some of the makings of trap feminism which included an acknowledgement of women as participants and contributors to hip hop and trap music, active agents over their sexuality and bodies, and conscious players in informal/non-institutional financial transactions. Reflecting back now, trap feminism can be applied much more broadly. Today I find myself thinking about trap feminism as a tool used to identify liberating themes in trap music and facets of it’s surrounding ...