MAJOR EXHIBITION OF WORK BY CONTEMPORARY WOMEN ARTISTS HITS D.C.

During the feminist art movement of the 1960s and ‘70s, women artists claimed ownership over the visualization of the body. The 37 artists in NO MAN’S LAND: Women Artists from the Rubell Family Collection, now on view at the National Museum of Women in the Arts (NMWA) in Washington, D.C., through Jan. 8, 2017, explore this history and experiment with the expressive potential of the female form through large-scale paintings and sculptural hybrids.

Collaborating with the Rubell Family Collection (RFC), Miami, NMWA is realizing a new vision for the exhibition, which opened at the RFC’s space in December 2015. The highly focused selection of paintings and sculptures emphasizes the female body and the physical process of art making—two themes have become prevalent feminist avenues for experimentation, play, and subversion. The exhibition features artists whose aesthetically diverse work addresses wide-ranging intellectual and political themes.

Although women historically had limited access to training and opportunity in the traditional fields of sculpture and painting, the title of the exhibition suggests “a space free from the rule of any sovereign power” where women artists are able to adapt and modify these mediums.

For the artists in NO MAN’S LAND, the physical process of making is key to developing meaning, exploring intellectual conundrums, and conjuring psychological experiences. Some artists, including Cecily Brown and Mickalene Thomas adapt the art-historical theme of the odalisque by transforming its typically passive character. Others such as Hayv Kahraman use portraiture as a space for self-expression. Many of the works on view signify broader ideas about culture, gender, and ethnicity. Painters and sculptors eliminate hierarchies among mediums by disrupting conventional ideas about women and handcraft. Historically defined as “women’s work,” handcraft remains a gendered topic in art. Artists including Analia Saban, Rosemarie Trockel, and Shinique Smith focus on unconventional materials or labor-intensive techniques. They upend tradition to suit their aesthetic and intellectual purposes.

To learn more about the artists and the collectors, you can listen to the audio guide, view a video playlist, and explore the events calendar.

Disclaimer: This post was written by a Feministing Community user and does not necessarily reflect the views of any Feministing columnist, editor, or executive director.

Founded in 1981 and opened in 1987, the National Museum of Women in the Arts is the only museum solely dedicated to celebrating the achievements of women in the visual, performing and literary arts. The museum’s collection features 4,700 works from the 16th century to the present created by more than 1,000 artists, including Mary Cassatt, Frida Kahlo, Alma Thomas, Lee Krasner, Louise Bourgeois, Chakaia Booker and Nan Goldin, along with special collections of 18th-century silver tableware and botanical prints. NMWA is located at 1250 New York Avenue, NW, Washington, D.C., in a landmark building near the White House. It is open Monday–Saturday, 10 a.m.–5 p.m. and Sunday, noon–5 p.m. For information, call 202-783-5000 or visit nmwa.org. Admission is $10 for adults, $8 for visitors 65 and over and students, and free for NMWA members and youths 18 and under. Free Community Days take place on the first Sunday of each month.

National Museum of Women in the Arts is the only museum solely dedicated to celebrating the achievements of women in the visual, performing and literary arts.

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