Perez Hilton is #notyoursassygayfriend or mine

Perez Hilton

Perez Hilton showed his ass yesterday, in addition to the white male privilege that allows so many gay men like him to adopt caricatures of black women for their gender and sexuality performance. ​The king of internet shade and slander tweeted: “Inside every gay man is a fierce black woman.”

 You’d think that, by now, anyone with a Twitter account would have realized that you should keep black women out of your proverbial mouth unless you want your mentions to blow up like a celebrity sex tape (to put it in language that Perez gets). ​But obviously he missed that memo.

I won’t get into all the ways that this tweet was offensive. As was his refusal to apologize, instead suggesting that he was a victim of homophobia and melodrama. Twitter thoroughly handled that for me via #NotInsidePerez​.

I do think there is a historical context that informs why​ a specific kind of black womanhood is appropriate​d by some gay men​. For one, black womanhood is juxtaposed against white womanhood–which is considered the standard. White womanhood is read as pure, normative, ideal, socially acceptable, and neutral. Historically, black womanhood has been accepted as deviant​. This is all the more true if black women are loud, flamboyant, or “fierce.” Because queerness has also been seen as deviant, it makes sense that gay men would claim this model as a filter to express themselves. And, like Perez, I’m sure many gay men think this is a compliment to black women. As someone who is intentional about the work of celebrating black girlhood, I get how this could possibly, perhaps, maybe be homage and reverence of the very real expressions​ that black girls and women have created. However, I’ve been hit with enough overzealous “hey boo”s from gay men to know better.

​Simultaneously, another conversation about gay men ​was happening on Twitter via #notyoursassygayfriend, started by Christopher Carbone. This was a great conversation about homophobia, the silencing of the experiences of queer people of color, trans inclusivity, and why gay men shouldn’t rely on racist tropes for their own gender/sexuality expression.

I saw someone on Twitter suggest that #notyoursassygayfriend was started to divert attention away from Perez and the concerns of black women​ in this situation. To the contrary, I thought that​ the conversation emphasized the need to do away with the sassy gay friend tropeand the way that black woman caricatures have been used to inform the “sassy” in that equation. If there were more modes of expression available to gay men, then maybe Perez Hilton wouldn’t feel the need to define himself up against a racist trope. It’s easy to want to align with one of the few culturally accepted expressions of gayness, but not at the expense of others.

The truth is, using maleness, and in many cases whiteness, to stabilize and ​standardize a gender expression that has been demonized is not for the good of anyone. Yesterday I tweeted:

And it’s true. We shouldn’t need a white male body to​ legitimize our experiences or expression. We shouldn’t only be accepted when we exist “inside” someone else. So we’re not going to accept this as a compliment.

Avatar Image Sesali is a writer and living testament to the fact that you can take the girl out of Chicago, but you can’t take Chicago out of the girl.

Feministing's resident "sexpert", Sesali is a published writer and professional shit talker. She is a queer Black girl, fat girl, and trainer. She was the former Training Director at the United States Student Association and later a member of the Youth Organizing team at Planned Parenthood Federation of America. She received her bachelors in Women's and Gender Studies from Depaul University in 2012 and is currently pursuing a master's in Women's, Gender, and Sexuality studies at Georgia State University in Atlanta. A self identified "trap" feminist, and trained with a reproductive justice background, her interests include the intersections of feminism and: pop culture, youth culture, social media, hip hop, girlhood, sexuality, race, gender, and Beyonce. Sesali joined the team in 2010 as one of the winners of our So You Think You Can Blog contest.

is Feministing's resident sexpert and cynic.

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  • http://feministing.com/members/whalermeg/ Meaghan W

    I just wanted to say this was a great post! He does and says so many problematic things, this one is especially gross.

  • http://feministing.com/members/tianadiezja/ Tia Dienst-Philipson

    Perez Hilton appropriates black, female, and transgender cultural tropes in his performance. No, Mr. Hilton, inside you is not a “sassy black woman.” Inside you is a casually racist, casually transphobic cisgender gay man.

    Which is also what you are on the outside.

  • http://feministing.com/members/andyinchicago/ Andy

    Perez uses his sexuality as an excuse for offensive behavior numerous times in the past, and it’s really upsetting as a gay man because it perpetuates the idea that we’re catty and flippant as a group. It also encourages this behavior within the gay community by establishing it as the norm.

    It’s sad to say, but I have multiple friends who use this metaphor all the time, that they, gay white males, are or are like black women; unfortunately, it’s not actual black women they can identify that they are comparing themselves to, but often stereotypes or expectations.

  • http://feministing.com/members/queercopia/ Todd

    I would just suggest developing a genealogy of the language communities involved before delving into their usage as particularly and peculiarly just black girlhood. Briefly and simplistically, one genealogy may look like: black gay male ball culture of the 60’s (Harlem drag queens hold their events), 70’s (the start of ball houses), 80’s-90’s (popularized in other urban centers of gay cultural production of NYC) > black heterosexual women (90’s)>white gay men (90’s). Does language really work like that (with static progression and no one interacting) ? No, communities interact and people communicate across cultures, ethnicities, and races. So, I just want to trouble where you think your black girlhood “sass” originated with a deeper and more complex historical understanding of sociolinguistics. Do I think people should be called on their inappropriate language? Yes. Do I think that particular critiques rely on a privileged educational understanding of sophisticated sociological frameworks of gender, race, and sexuality (to delineate a few)? Yes. And what of the cult of celebrity that sends people bounding to even acknowledge this as voyeuristic spectacle and entertainment? Twitter, the panopticon?