What makes a “good” man?

Amy Ernst is a young American woman who is working in Congo, with an organization that supports survivors of rape. Rape is commonplace in Congo, and in addition to its emotional and physical impacts on survivors, it creates a ripple effect of stigmatization, isolation and poverty. This is what makes it such an effective weapon of war. Ernst, guest blogging at Nicholas Kristof’s blog “On the Ground,” writes about husbands whose choose not to abandon their wives when their wives are raped:

Due to social stigma and, in many cases, pregnancy, it’s common for men in North Kivu to leave their families if their wives are raped. But there are also men like Paluku. Paluku encouraged Hangie to go to the hospital for treatment and accompanied her when she decided to go. It wasn’t easy. He was afraid because soldiers have diseases, and at first he didn’t know if he could pardon his wife. “I was so mad, but after [the hospital] I forgave her because I realized she was innocent.”

Valerie, another survivor from the same area, relaxes when I ask how her husband responded to what happened. “He’s calm; he’s sad but calm about it. He asked if he, too, can participate in the counseling or if there’s anything he can do to help with medication or anything else,” she explains, only a month after she was attacked. She has been uncomfortable throughout our entire conversation, but a simple reference to her husband seems to give her something strong to stand on.

The blog post is called “A Good Man,” and Ernst describes her interactions with these good men, who stood by their wives, as “indescribably refreshing.” In her line of work, she writes, she “can’t help but focus constantly on the evil men possess, especially here.” But men like Paluku and like Valerie’s husband – good men – give her hope.

You can read more about Ernst’s work and her life in North Kivu, Congo at her blog.

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Chloe Angyal is a journalist and scholar of popular culture from Sydney, Australia. She joined the Feministing team in 2009. Her writing about politics and popular culture has been published in The Atlantic, The Guardian, New York magazine, Reuters, The LA Times and many other outlets in the US, Australia, UK, and France. She makes regular appearances on radio and television in the US and Australia. She has an AB in Sociology from Princeton University and a PhD in Arts and Media from the University of New South Wales. Her academic work focuses on Hollywood romantic comedies; her doctoral thesis was about how the genre depicts gender, sex, and power, and grew out of a series she wrote for Feministing, the Feministing Rom Com Review. Chloe is a Senior Facilitator at The OpEd Project and a Senior Advisor to The Harry Potter Alliance. You can read more of her writing at chloesangyal.com

Chloe Angyal is a journalist and scholar of popular culture from Sydney, Australia.

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