It looks kind of scary, like one of those heart-monitoring things, a TENS unit (sp).

Does anyone else think so?

Barry White's sexyness just jumped a quantum level.

I know this is ridiculous, but it looks like an S&M butterfly to me. I assume it's supposed to look sort of butterfly-ish... but... wow.

I work for Good Vibrations and we just picked up the "OhMiBod" which is basically the same thing, but not wearable.

That thing is intense! You get the vibration that matches the beat to the music in your ipod. It's the hot new thing in the world of sex toys...

Nice. That's all I can say.

I'd like someone to create a playlist for this thing. Barry White (as mentioned above), Lou Rawls, Isaac Hayes, Serge Gainsbourg, umm...

and, for the sake of the unavoidable pun, Good Vibrations.

My first thoughts after reading the product description were "ooh it's only $70....what a sweet deal"....I wonder how it will measure up if I connect it with some hardcore metal!

Ooooh, another one?!

*pleased*

(OhMiBod.)

and i thought the ibuzz was neat (the ipod specific one)

I don't understad how this works. It's not gonna go in there; do you just put it on the clitoris?

On another note, does anybody out there really masturbate to music?
I must be really naive.

One word:
speedcore.

Looks like something from the underwater scenes of For Your Eyes Only...

Am I the only one who finds this sentence mildly disturbing: "...and pipe the live audio into your love flower."

I mean, yes, orchids and Georgia O'Keffe, but something seems somewhat creepy about that sentence.

Lol, I have a purple one of those... it's not as fancy as that one (mines just plain all put it there and turn it on) but I think I would enjoy SOAD with that thing.

Oh, and sojourner, why use to toys to masturbate? Part of the fun is involving him (or her) too. I enjoy listening to music, and it usually consists of very unromantic hardcore and rock stuff with a techno/trance song here and there.

But I kind of pride myself on being open to new ideas/things in the sex department. If I had the money, I would buy an ipod and get that toy too just to enjoy a good vibe.

Brad, ever heard the phrase "I need to drain my lily"? I don't know if these people thought about that when they wrote that sentence. But there are only so many... creative ways to refer to the vagina without using the word vagina. vagina creeps some people out, lol.

psytrance just got a whole lot sexier...

Mandevilla, I like the term "forehole."

In December, 1954, all nations were asked to supply the Organizing Committee with the music of their National Anthems scored for military bands, so that there should be no doubt as to the correct anthem for any particular nation. A further letter was sent in August, 1955, to those nations who had accepted the invitation and had not supplied their anthem. Eventually all anthems were received but in many different forms—symphonic score, piano score, gramophone record or tape recording.

The I.O.C. at its meeting in 1955 decided that no anthem should last longer than one minute. It was thus necessary in some cases to abbreviate the anthems that had been provided, and this work was entrusted to Squadron Leader L. H. Hicks, Director of Music of the Royal Australian Air Force.

To reduce the anthems to within the specified playing time entailed omitting sections to ensure closing on an acceptable cadence. Some, such as God Save the Queen and The Star Spangled Banner were easily arranged because shortened versions were in constant use, but in the case of lengthy anthems which could not be suitably closed half-way or at another similarly desirable point, it was necessary to cut part of the body of the anthem to include the final bars.

Where an anthem was of three or four verses differing in treatment, the best arrangement of the verse under a minute was selected, as for instance, in the case of the U.S.S.R. anthem. All anthems were scored for a full military band, copies of which were made for bands playing at outdoor venues. Tape recordings were made by the Central Band of the Royal Australian Air Force and sent to the Organizing Committee which had discs made for use at all indoor venues. The entire work took six months.

The scores of the anthems are now in the archives of the Central Band, Royal Australian Air Force, Laverton, Victoria and the master copies of the recordings are in the possession of Amalgamated Wireless Australasia Ltd.